Panasonic LUMIX DC-S5M2XE Spiegellose Vollformat Kamera
Spiegellose Vollformat Kamera, 4K 60p & 6K 30p, unbegrenzte Aufnahmezeit,
Flip Screen, WLAN, Hybrid-Phasen-AF, Active is, Duale Native ISO, DMW-BLK22 Akku
kompatible Halterungen Leica L (L-Mount)
Fotosensor-Technologie CMOS
Unterstütztes Dateiformat RAW, JPEG
Bildstabilisierung Digital
Erweitertes ISO-Minimum 100
Beschreibung der Zählung Mehrfach / mittig gewichtet / Spot /Highlight gewichtet
Maximale Webcam-Bildauflösung 24,2 MP
Größe des Lichtsensors Vollbild (35mm)
SCHNELLER, PRÄZISER AUTOFOKUS & STABILISIERUNG: Diese Sportkamera verfügt über Hybrid-Phasen-AF mit 779 AF-Punkten, während Active I.S. Verwacklungen ausgleicht, perfekt für Video- und Standbilder. und Wildlife Fotografie
VIDEO IN KINOQUALITÄT: Die Kamera liefert eine unbegrenzte C4K 60p/50p 4:2:2 10-Bit-Aufzeichnung, 6K 30p/25p 4:2:0 10-Bit-Aufzeichnung sowie HFR und S&Q für professionelle Filmaufnahmen.
AUßERGEWÖHNLICHE BILDQUALITÄT: Die Kamera bietet einen 24,2MP Vollbildsensor mit einem hochauflösenden 96 MP Modus, 14+ Blendenstufen mit hohem Dynamikbereich und Dual Native ISO für Videoaufnahmen bei schlechten Lichtverhältnissen.
KOMPAKTES, LANGLEBIGES GEHÄUSE: Die 6K/4K Kamera verfügt über ein hochwertiges Gehäuse aus einer Magnesiumlegierung sowie eine spritzwasser- und staubfeste Konstruktion.
SSD-AUFNAHME & -WIEDERGABE: Diese Videokamera unterstützt die Aufnahme und Wiedergabe mit einer externen SSD über USB und die Möglichkeit, ProRes 422 HQ und 4:2:2 10-Bit All-Intra direkt auf SSDs aufzuzeichnen.
I use the Blackmagic Video Assist 5" 12G HDR monitor and recorder as an upgrade to my Panasonic full-frame camera DC-S1, in which the DMW-SFU2 Lumix S1
Filmmaker V-Log Upgrade is already installed. It is now possible to record with the DC-S1 Camera via HDMI directly to the Blackmagic Video Assist and record there in Blackmagic-RAW Codex in 12
bit.
Device properties:
• Convenient for live production, digital signage and archiving
• Modern design with touchscreen controls for fast operation
• Enhances cameras with better monitoring and codecs for recording
• Large LC displays for focusing aids on digital film level
• Support for SD/USH-II cards for common storage media
• Records directly to external USB-C drives
• 12G-SDI and HDMI for SD, HD and Ultra HD recording
• Advanced bright 2500 nit LCD with wide color gamut and HDR support
• Integrated videoscopes with waveform, vectorscope, parade and histogram
• Latest multi-rate 12G-SDI technology for SD, HD and Ultra HD
• 3D LUTs applicable to monitoring and recording
• Standard open standard formats compatible with popular software
• Blackmagic RAW recording on supported 3rd party cameras
• Support for professional multi-channel digital and analog audio
• Localized in 11 major languages
• Compatible with popular NLE software such as DaVinci Resolve
The support for RAW video output via HDMI using Blackmagic Video Assist 12G HDR. A 16:9 signal in 12 bits with 29.97p, 25p and 23.98p can be recorded in 6.0K. In APS-C there are options for 4.1 K in 17:9 with 59.94p/50p/29.97p/25p/23.98p as well as anamorphic APS-C in 3.5K with 50p/29.97p/25p/23.98p in 4 :3 with 12 bits each. The Lumix S5IIx gets the same function. It will output Blackmagic RAW and PProPes RAW via HDMI .
Blackmagic Assist 12G HDR enables professional monitoring and recording with any SDI or HDMI camera in all HD, Ultra HD, 2K and 4K DCI formats. The new streamlined design includes
innovations like brighter screens for HDR work, a tally indicator, four built-in scopes, advanced focus assist features, 3D LUTs and native Blackmagic RAW recording with compatible cameras.
The 12G-SDI and HDMI 2.0 connections built into both the 5" and 7" models support recording from literally any device in formats up to 2160p60. A brighter touchscreen ensures a clear view
of HDR digital film recordings and shows the subjects clearly even when shooting outdoors in bright sunlight. The new design allows the use of more powerful batteries and supports two
commercially available Sony L-series batteries. The remarkably versatile Blackmagic Video Assist 12G is the perfect solution for next-generation digital cinema shooting, live production
mastering, and broadcast testing and measurement.
Blackmagic Video Assist 12G HDR is a great upgrade for cameras with a super bright 2500 nit display that's also larger than the tiny displays found on consumer cameras. It also offers
professional focus assist features and higher quality file formats . It's also a great solution for professional cameras, as an upgrade for older broadcast cameras, it allows the use of
modern file formats for the latest editing software. No matter what editing software you're working with, Video Assist supports them all with the codec option for recording to Apple ProRes,
Avid DNx and Blackmagic RAW. It can be connected to any consumer camera, broadcast camera or even DSLR camera via the HDMI and 12G-SDI inputs. Blackmagic RAW can even be upgraded to
RAW-like workflows on compatible cameras.
The Video Assist uses standard commercially available SD cards and enables recording on memory cards that are available everywhere. Files are small enough to store long recordings on
regular SD or faster UHS-II cards. The larger 7-inch Video Assist 12G model even has two SD card slots. This means that full cards can be exchanged while recording is in progress,
making recordings possible over endless periods of time. Regular SD cards or faster UHS-II cards are ideal for broadcast because of their compactness, high speed and low cost.
For recording to other types of media, there's a USB-C expansion port for plugging in external USB memory sticks. A Blackmagic MultiDock 10G can also be integrated with recorders such
as the Blackmagic HyperDeck models for convenient SSD compatibility. And the touchscreen even offers on-screen menus for managing external storage media.
The Video Assist is equipped with a wide range of video and audio connections. They include multi-rate 12G-SDI connections for SD, HD and Ultra HD devices. HDMI connections are
also available for HDMI cameras and for monitoring on televisions and projectors in the consumer segment. The seven-incher also features mini XLR inputs for incoming sound from microphones
and external audio mixers. The Video Assist also comes with a lockable 12V DC power connector.
Video Assist also supports industry standard 17 and 33 point 3D LUTs. Alternatively, you can also work with the integrated LUTs such as "Extended Video", "Film to Video", "Film to
Rec.2020" and others.
Video Assist records in regular open file formats, so no time is wasted transcoding media. You can record industry-standard ProRes or DNx in all formats in 10-bit files from any HDMI or SDI
camera, or Blackmagic RAW footage in 12-bit files from compatible cameras. The media files are platform independent.
Blackmagic RAW is a revolutionary new format designed to capture and preserve the quality of data from the camera sensor. Video Assist supports Blackmagic RAW recording from popular cameras
such as the Panasonic EVA1 and Canon C300 MK II. Problems such as noise and artifacts with common highly compressed camera formats such as H.264 are a thing of the past. The camera settings
are saved as metadata. This allows users to set the ISO setting, white balance and exposure and then simply override them later in the edit without any loss of quality. In addition,
Blackmagic RAW files are small, fast and easy to work with.
The professional audio recorder built into Blackmagic Video Assist 12G delivers sound quality superior to most cameras. This eliminates the need to carry additional audio equipment.
When working with SDI formats, users can record audio over 2, 4, 8 or 16 channels in real time. For connecting microphones, the 7-inch model has two XLR inputs for analog audio with phantom
power. These support an HD audio sample rate of 192 kHz at uncompressed 16 and 24 bits per sample. For monitoring, users can display the onscreen audio level meters as either VU or
PPM meters.
My Digital Poket Camera without quality Compromisses
Panasonic Lumix DC-TZ90 digital camera, my constant companion.
My experience with the Panasonic Lumix DC-TZ90
30x Travel Zoom Camera with 4k video & 180 degree Tilt LCD. Take this pocket-sized camera on your next trip. Its powerful 30x zoom lens and 4K Photo selfie feature let you save your travel memories in exactly the form you want.Your convenient travel companion This pocket-sized camera captures all the breathtaking emotions of your travels, from sweeping panoramas to the distant sun rise. The LUMIX TZ90 catches both photos and videos in all the vivid colours and crisp details that you recall. Flexibility with the 30x LEICA DC Lens The LUMIX TZ90 brings you right up against the action. The 24mm LEICA DC VARIO-ELMAR lens has a 30x optical zoom (35mm camera equivalent: 24-720mm) so you will always have an intimate view, and captured picture, of what piques your interest. Sharp Details Rendered in 20.3MP Resolution The 20.3-megapixel High Sensitivity MOS sensor records high-quality images in remarkable detail. It also combines with the Venus Engine to take stunning pictures even in dimly lit environments with minimal image noise. 4K Video. Life in Vivid Detail With the stunning power of 4K video, the LUMIX TZ90 allows you to record your journey in up to 3840 x 2160 pixel - 4x the quality of Full HD. More excitement, more detail and even more memories to look back on; again and again. *When recording videos in 4K, use a card rated as UHS Speed Class 3. Take a Selfie in 4K Photo Get the perfect selfie with a 180-degree tiltable monitor. Whether its a group selfie, a party moment or your dog who just does not want to stay still, you can capture life in stunning 4K quality. LUMIX 4K PHOTO lets you catch the best moment at 30-fps and save it as an 8-megapixel equivalent high-resolution image. See It All with High-precision Electronic Viewfinder Sometimes, harsh sunlight makes even the brightest camera screens difficult to see. The LUMIX TZ90 features a 0.2-inch 1,166k-dot Electronic Viewfinder which automatically turns on when you lift the camera to you...
Panasonic LUMIX DC-S5M2XE Spiegellose Vollformat Kamera
Spiegellose Vollformat Kamera, 4K 60p & 6K 30p, unbegrenzte Aufnahmezeit,
Flip Screen, WLAN, Hybrid-Phasen-AF, Active is, Duale Native ISO, DMW-BLK22 Akku
kompatible Halterungen Leica L (L-Mount)
Fotosensor-Technologie CMOS
Unterstütztes Dateiformat RAW, JPEG
Bildstabilisierung Digital
Erweitertes ISO-Minimum 100
Beschreibung der Zählung Mehrfach / mittig gewichtet / Spot /Highlight gewichtet
Maximale Webcam-Bildauflösung 24,2 MP
Größe des Lichtsensors Vollbild (35mm)
SCHNELLER, PRÄZISER AUTOFOKUS & STABILISIERUNG: Diese Sportkamera verfügt über Hybrid-Phasen-AF mit 779 AF-Punkten, während Active I.S. Verwacklungen ausgleicht, perfekt für Video- und Standbilder. und Wildlife Fotografie
VIDEO IN KINOQUALITÄT: Die Kamera liefert eine unbegrenzte C4K 60p/50p 4:2:2 10-Bit-Aufzeichnung, 6K 30p/25p 4:2:0 10-Bit-Aufzeichnung sowie HFR und S&Q für professionelle Filmaufnahmen.
AUßERGEWÖHNLICHE BILDQUALITÄT: Die Kamera bietet einen 24,2MP Vollbildsensor mit einem hochauflösenden 96 MP Modus, 14+ Blendenstufen mit hohem Dynamikbereich und Dual Native ISO für Videoaufnahmen bei schlechten Lichtverhältnissen.
KOMPAKTES, LANGLEBIGES GEHÄUSE: Die 6K/4K Kamera verfügt über ein hochwertiges Gehäuse aus einer Magnesiumlegierung sowie eine spritzwasser- und staubfeste Konstruktion.
SSD-AUFNAHME & -WIEDERGABE: Diese Videokamera unterstützt die Aufnahme und Wiedergabe mit einer externen SSD über USB und die Möglichkeit, ProRes 422 HQ und 4:2:2 10-Bit All-Intra direkt auf SSDs aufzuzeichnen.
I use the Blackmagic Video Assist 5" 12G HDR monitor and recorder as an upgrade to my Panasonic full-frame camera DC-S1, in which the DMW-SFU2 Lumix S1
Filmmaker V-Log Upgrade is already installed. It is now possible to record with the DC-S1 Camera via HDMI directly to the Blackmagic Video Assist and record there in Blackmagic-RAW Codex in 12
bit.
Device properties:
• Convenient for live production, digital signage and archiving
• Modern design with touchscreen controls for fast operation
• Enhances cameras with better monitoring and codecs for recording
• Large LC displays for focusing aids on digital film level
• Support for SD/USH-II cards for common storage media
• Records directly to external USB-C drives
• 12G-SDI and HDMI for SD, HD and Ultra HD recording
• Advanced bright 2500 nit LCD with wide color gamut and HDR support
• Integrated videoscopes with waveform, vectorscope, parade and histogram
• Latest multi-rate 12G-SDI technology for SD, HD and Ultra HD
• 3D LUTs applicable to monitoring and recording
• Standard open standard formats compatible with popular software
• Blackmagic RAW recording on supported 3rd party cameras
• Support for professional multi-channel digital and analog audio
• Localized in 11 major languages
• Compatible with popular NLE software such as DaVinci Resolve
The support for RAW video output via HDMI using Blackmagic Video Assist 12G HDR. A 16:9 signal in 12 bits with 29.97p, 25p and 23.98p can be recorded in 6.0K. In APS-C there are options for 4.1 K in 17:9 with 59.94p/50p/29.97p/25p/23.98p as well as anamorphic APS-C in 3.5K with 50p/29.97p/25p/23.98p in 4 :3 with 12 bits each. The Lumix S5IIx gets the same function. It will output Blackmagic RAW and PProPes RAW via HDMI .
Blackmagic Assist 12G HDR enables professional monitoring and recording with any SDI or HDMI camera in all HD, Ultra HD, 2K and 4K DCI formats. The new streamlined design includes
innovations like brighter screens for HDR work, a tally indicator, four built-in scopes, advanced focus assist features, 3D LUTs and native Blackmagic RAW recording with compatible cameras.
The 12G-SDI and HDMI 2.0 connections built into both the 5" and 7" models support recording from literally any device in formats up to 2160p60. A brighter touchscreen ensures a clear view
of HDR digital film recordings and shows the subjects clearly even when shooting outdoors in bright sunlight. The new design allows the use of more powerful batteries and supports two
commercially available Sony L-series batteries. The remarkably versatile Blackmagic Video Assist 12G is the perfect solution for next-generation digital cinema shooting, live production
mastering, and broadcast testing and measurement.
Blackmagic Video Assist 12G HDR is a great upgrade for cameras with a super bright 2500 nit display that's also larger than the tiny displays found on consumer cameras. It also offers
professional focus assist features and higher quality file formats . It's also a great solution for professional cameras, as an upgrade for older broadcast cameras, it allows the use of
modern file formats for the latest editing software. No matter what editing software you're working with, Video Assist supports them all with the codec option for recording to Apple ProRes,
Avid DNx and Blackmagic RAW. It can be connected to any consumer camera, broadcast camera or even DSLR camera via the HDMI and 12G-SDI inputs. Blackmagic RAW can even be upgraded to
RAW-like workflows on compatible cameras.
The Video Assist uses standard commercially available SD cards and enables recording on memory cards that are available everywhere. Files are small enough to store long recordings on
regular SD or faster UHS-II cards. The larger 7-inch Video Assist 12G model even has two SD card slots. This means that full cards can be exchanged while recording is in progress,
making recordings possible over endless periods of time. Regular SD cards or faster UHS-II cards are ideal for broadcast because of their compactness, high speed and low cost.
For recording to other types of media, there's a USB-C expansion port for plugging in external USB memory sticks. A Blackmagic MultiDock 10G can also be integrated with recorders such
as the Blackmagic HyperDeck models for convenient SSD compatibility. And the touchscreen even offers on-screen menus for managing external storage media.
The Video Assist is equipped with a wide range of video and audio connections. They include multi-rate 12G-SDI connections for SD, HD and Ultra HD devices. HDMI connections are
also available for HDMI cameras and for monitoring on televisions and projectors in the consumer segment. The seven-incher also features mini XLR inputs for incoming sound from microphones
and external audio mixers. The Video Assist also comes with a lockable 12V DC power connector.
Video Assist also supports industry standard 17 and 33 point 3D LUTs. Alternatively, you can also work with the integrated LUTs such as "Extended Video", "Film to Video", "Film to
Rec.2020" and others.
Video Assist records in regular open file formats, so no time is wasted transcoding media. You can record industry-standard ProRes or DNx in all formats in 10-bit files from any HDMI or SDI
camera, or Blackmagic RAW footage in 12-bit files from compatible cameras. The media files are platform independent.
Blackmagic RAW is a revolutionary new format designed to capture and preserve the quality of data from the camera sensor. Video Assist supports Blackmagic RAW recording from popular cameras
such as the Panasonic EVA1 and Canon C300 MK II. Problems such as noise and artifacts with common highly compressed camera formats such as H.264 are a thing of the past. The camera settings
are saved as metadata. This allows users to set the ISO setting, white balance and exposure and then simply override them later in the edit without any loss of quality. In addition,
Blackmagic RAW files are small, fast and easy to work with.
The professional audio recorder built into Blackmagic Video Assist 12G delivers sound quality superior to most cameras. This eliminates the need to carry additional audio equipment.
When working with SDI formats, users can record audio over 2, 4, 8 or 16 channels in real time. For connecting microphones, the 7-inch model has two XLR inputs for analog audio with phantom
power. These support an HD audio sample rate of 192 kHz at uncompressed 16 and 24 bits per sample. For monitoring, users can display the onscreen audio level meters as either VU or
PPM meters.
My Digital Poket Camera without quality Compromisses
Panasonic Lumix DC-TZ90 digital camera, my constant companion.
My experience with the Panasonic Lumix DC-TZ90
30x Travel Zoom Camera with 4k video & 180 degree Tilt LCD. Take this pocket-sized camera on your next trip. Its powerful 30x zoom lens and 4K Photo selfie feature let you save your travel memories in exactly the form you want.Your convenient travel companion This pocket-sized camera captures all the breathtaking emotions of your travels, from sweeping panoramas to the distant sun rise. The LUMIX TZ90 catches both photos and videos in all the vivid colours and crisp details that you recall. Flexibility with the 30x LEICA DC Lens The LUMIX TZ90 brings you right up against the action. The 24mm LEICA DC VARIO-ELMAR lens has a 30x optical zoom (35mm camera equivalent: 24-720mm) so you will always have an intimate view, and captured picture, of what piques your interest. Sharp Details Rendered in 20.3MP Resolution The 20.3-megapixel High Sensitivity MOS sensor records high-quality images in remarkable detail. It also combines with the Venus Engine to take stunning pictures even in dimly lit environments with minimal image noise. 4K Video. Life in Vivid Detail With the stunning power of 4K video, the LUMIX TZ90 allows you to record your journey in up to 3840 x 2160 pixel - 4x the quality of Full HD. More excitement, more detail and even more memories to look back on; again and again. *When recording videos in 4K, use a card rated as UHS Speed Class 3. Take a Selfie in 4K Photo Get the perfect selfie with a 180-degree tiltable monitor. Whether its a group selfie, a party moment or your dog who just does not want to stay still, you can capture life in stunning 4K quality. LUMIX 4K PHOTO lets you catch the best moment at 30-fps and save it as an 8-megapixel equivalent high-resolution image. See It All with High-precision Electronic Viewfinder Sometimes, harsh sunlight makes even the brightest camera screens difficult to see. The LUMIX TZ90 features a 0.2-inch 1,166k-dot Electronic Viewfinder which automatically turns on when you lift the camera to you...
Panasonic LUMIX DC-S5M2XE Spiegellose Vollformat Kamera
Spiegellose Vollformat Kamera, 4K 60p & 6K 30p, unbegrenzte Aufnahmezeit,
Flip Screen, WLAN, Hybrid-Phasen-AF, Active is, Duale Native ISO, DMW-BLK22 Akku
kompatible Halterungen Leica L (L-Mount)
Fotosensor-Technologie CMOS
Unterstütztes Dateiformat RAW, JPEG
Bildstabilisierung Digital
Erweitertes ISO-Minimum 100
Beschreibung der Zählung Mehrfach / mittig gewichtet / Spot /Highlight gewichtet
Maximale Webcam-Bildauflösung 24,2 MP
Größe des Lichtsensors Vollbild (35mm)
SCHNELLER, PRÄZISER AUTOFOKUS & STABILISIERUNG: Diese Sportkamera verfügt über Hybrid-Phasen-AF mit 779 AF-Punkten, während Active I.S. Verwacklungen ausgleicht, perfekt für Video- und Standbilder. und Wildlife Fotografie
VIDEO IN KINOQUALITÄT: Die Kamera liefert eine unbegrenzte C4K 60p/50p 4:2:2 10-Bit-Aufzeichnung, 6K 30p/25p 4:2:0 10-Bit-Aufzeichnung sowie HFR und S&Q für professionelle Filmaufnahmen.
AUßERGEWÖHNLICHE BILDQUALITÄT: Die Kamera bietet einen 24,2MP Vollbildsensor mit einem hochauflösenden 96 MP Modus, 14+ Blendenstufen mit hohem Dynamikbereich und Dual Native ISO für Videoaufnahmen bei schlechten Lichtverhältnissen.
KOMPAKTES, LANGLEBIGES GEHÄUSE: Die 6K/4K Kamera verfügt über ein hochwertiges Gehäuse aus einer Magnesiumlegierung sowie eine spritzwasser- und staubfeste Konstruktion.
SSD-AUFNAHME & -WIEDERGABE: Diese Videokamera unterstützt die Aufnahme und Wiedergabe mit einer externen SSD über USB und die Möglichkeit, ProRes 422 HQ und 4:2:2 10-Bit All-Intra direkt auf SSDs aufzuzeichnen.
I use the Blackmagic Video Assist 5" 12G HDR monitor and recorder as an upgrade to my Panasonic full-frame camera DC-S1, in which the DMW-SFU2 Lumix S1
Filmmaker V-Log Upgrade is already installed. It is now possible to record with the DC-S1 Camera via HDMI directly to the Blackmagic Video Assist and record there in Blackmagic-RAW Codex in 12
bit.
Device properties:
• Convenient for live production, digital signage and archiving
• Modern design with touchscreen controls for fast operation
• Enhances cameras with better monitoring and codecs for recording
• Large LC displays for focusing aids on digital film level
• Support for SD/USH-II cards for common storage media
• Records directly to external USB-C drives
• 12G-SDI and HDMI for SD, HD and Ultra HD recording
• Advanced bright 2500 nit LCD with wide color gamut and HDR support
• Integrated videoscopes with waveform, vectorscope, parade and histogram
• Latest multi-rate 12G-SDI technology for SD, HD and Ultra HD
• 3D LUTs applicable to monitoring and recording
• Standard open standard formats compatible with popular software
• Blackmagic RAW recording on supported 3rd party cameras
• Support for professional multi-channel digital and analog audio
• Localized in 11 major languages
• Compatible with popular NLE software such as DaVinci Resolve
The support for RAW video output via HDMI using Blackmagic Video Assist 12G HDR. A 16:9 signal in 12 bits with 29.97p, 25p and 23.98p can be recorded in 6.0K. In APS-C there are options for 4.1 K in 17:9 with 59.94p/50p/29.97p/25p/23.98p as well as anamorphic APS-C in 3.5K with 50p/29.97p/25p/23.98p in 4 :3 with 12 bits each. The Lumix S5IIx gets the same function. It will output Blackmagic RAW and PProPes RAW via HDMI .
Blackmagic Assist 12G HDR enables professional monitoring and recording with any SDI or HDMI camera in all HD, Ultra HD, 2K and 4K DCI formats. The new streamlined design includes
innovations like brighter screens for HDR work, a tally indicator, four built-in scopes, advanced focus assist features, 3D LUTs and native Blackmagic RAW recording with compatible cameras.
The 12G-SDI and HDMI 2.0 connections built into both the 5" and 7" models support recording from literally any device in formats up to 2160p60. A brighter touchscreen ensures a clear view
of HDR digital film recordings and shows the subjects clearly even when shooting outdoors in bright sunlight. The new design allows the use of more powerful batteries and supports two
commercially available Sony L-series batteries. The remarkably versatile Blackmagic Video Assist 12G is the perfect solution for next-generation digital cinema shooting, live production
mastering, and broadcast testing and measurement.
Blackmagic Video Assist 12G HDR is a great upgrade for cameras with a super bright 2500 nit display that's also larger than the tiny displays found on consumer cameras. It also offers
professional focus assist features and higher quality file formats . It's also a great solution for professional cameras, as an upgrade for older broadcast cameras, it allows the use of
modern file formats for the latest editing software. No matter what editing software you're working with, Video Assist supports them all with the codec option for recording to Apple ProRes,
Avid DNx and Blackmagic RAW. It can be connected to any consumer camera, broadcast camera or even DSLR camera via the HDMI and 12G-SDI inputs. Blackmagic RAW can even be upgraded to
RAW-like workflows on compatible cameras.
The Video Assist uses standard commercially available SD cards and enables recording on memory cards that are available everywhere. Files are small enough to store long recordings on
regular SD or faster UHS-II cards. The larger 7-inch Video Assist 12G model even has two SD card slots. This means that full cards can be exchanged while recording is in progress,
making recordings possible over endless periods of time. Regular SD cards or faster UHS-II cards are ideal for broadcast because of their compactness, high speed and low cost.
For recording to other types of media, there's a USB-C expansion port for plugging in external USB memory sticks. A Blackmagic MultiDock 10G can also be integrated with recorders such
as the Blackmagic HyperDeck models for convenient SSD compatibility. And the touchscreen even offers on-screen menus for managing external storage media.
The Video Assist is equipped with a wide range of video and audio connections. They include multi-rate 12G-SDI connections for SD, HD and Ultra HD devices. HDMI connections are
also available for HDMI cameras and for monitoring on televisions and projectors in the consumer segment. The seven-incher also features mini XLR inputs for incoming sound from microphones
and external audio mixers. The Video Assist also comes with a lockable 12V DC power connector.
Video Assist also supports industry standard 17 and 33 point 3D LUTs. Alternatively, you can also work with the integrated LUTs such as "Extended Video", "Film to Video", "Film to
Rec.2020" and others.
Video Assist records in regular open file formats, so no time is wasted transcoding media. You can record industry-standard ProRes or DNx in all formats in 10-bit files from any HDMI or SDI
camera, or Blackmagic RAW footage in 12-bit files from compatible cameras. The media files are platform independent.
Blackmagic RAW is a revolutionary new format designed to capture and preserve the quality of data from the camera sensor. Video Assist supports Blackmagic RAW recording from popular cameras
such as the Panasonic EVA1 and Canon C300 MK II. Problems such as noise and artifacts with common highly compressed camera formats such as H.264 are a thing of the past. The camera settings
are saved as metadata. This allows users to set the ISO setting, white balance and exposure and then simply override them later in the edit without any loss of quality. In addition,
Blackmagic RAW files are small, fast and easy to work with.
The professional audio recorder built into Blackmagic Video Assist 12G delivers sound quality superior to most cameras. This eliminates the need to carry additional audio equipment.
When working with SDI formats, users can record audio over 2, 4, 8 or 16 channels in real time. For connecting microphones, the 7-inch model has two XLR inputs for analog audio with phantom
power. These support an HD audio sample rate of 192 kHz at uncompressed 16 and 24 bits per sample. For monitoring, users can display the onscreen audio level meters as either VU or
PPM meters.
My Digital Poket Camera without quality Compromisses
Panasonic Lumix DC-TZ90 digital camera, my constant companion.
My experience with the Panasonic Lumix DC-TZ90
30x Travel Zoom Camera with 4k video & 180 degree Tilt LCD. Take this pocket-sized camera on your next trip. Its powerful 30x zoom lens and 4K Photo selfie feature let you save your travel memories in exactly the form you want.Your convenient travel companion This pocket-sized camera captures all the breathtaking emotions of your travels, from sweeping panoramas to the distant sun rise. The LUMIX TZ90 catches both photos and videos in all the vivid colours and crisp details that you recall. Flexibility with the 30x LEICA DC Lens The LUMIX TZ90 brings you right up against the action. The 24mm LEICA DC VARIO-ELMAR lens has a 30x optical zoom (35mm camera equivalent: 24-720mm) so you will always have an intimate view, and captured picture, of what piques your interest. Sharp Details Rendered in 20.3MP Resolution The 20.3-megapixel High Sensitivity MOS sensor records high-quality images in remarkable detail. It also combines with the Venus Engine to take stunning pictures even in dimly lit environments with minimal image noise. 4K Video. Life in Vivid Detail With the stunning power of 4K video, the LUMIX TZ90 allows you to record your journey in up to 3840 x 2160 pixel - 4x the quality of Full HD. More excitement, more detail and even more memories to look back on; again and again. *When recording videos in 4K, use a card rated as UHS Speed Class 3. Take a Selfie in 4K Photo Get the perfect selfie with a 180-degree tiltable monitor. Whether its a group selfie, a party moment or your dog who just does not want to stay still, you can capture life in stunning 4K quality. LUMIX 4K PHOTO lets you catch the best moment at 30-fps and save it as an 8-megapixel equivalent high-resolution image. See It All with High-precision Electronic Viewfinder Sometimes, harsh sunlight makes even the brightest camera screens difficult to see. The LUMIX TZ90 features a 0.2-inch 1,166k-dot Electronic Viewfinder which automatically turns on when you lift the camera to you...
Panasonic LUMIX DC-S5M2XE Spiegellose Vollformat Kamera
Spiegellose Vollformat Kamera, 4K 60p & 6K 30p, unbegrenzte Aufnahmezeit,
Flip Screen, WLAN, Hybrid-Phasen-AF, Active is, Duale Native ISO, DMW-BLK22 Akku
kompatible Halterungen Leica L (L-Mount)
Fotosensor-Technologie CMOS
Unterstütztes Dateiformat RAW, JPEG
Bildstabilisierung Digital
Erweitertes ISO-Minimum 100
Beschreibung der Zählung Mehrfach / mittig gewichtet / Spot /Highlight gewichtet
Maximale Webcam-Bildauflösung 24,2 MP
Größe des Lichtsensors Vollbild (35mm)
SCHNELLER, PRÄZISER AUTOFOKUS & STABILISIERUNG: Diese Sportkamera verfügt über Hybrid-Phasen-AF mit 779 AF-Punkten, während Active I.S. Verwacklungen ausgleicht, perfekt für Video- und Standbilder. und Wildlife Fotografie
VIDEO IN KINOQUALITÄT: Die Kamera liefert eine unbegrenzte C4K 60p/50p 4:2:2 10-Bit-Aufzeichnung, 6K 30p/25p 4:2:0 10-Bit-Aufzeichnung sowie HFR und S&Q für professionelle Filmaufnahmen.
AUßERGEWÖHNLICHE BILDQUALITÄT: Die Kamera bietet einen 24,2MP Vollbildsensor mit einem hochauflösenden 96 MP Modus, 14+ Blendenstufen mit hohem Dynamikbereich und Dual Native ISO für Videoaufnahmen bei schlechten Lichtverhältnissen.
KOMPAKTES, LANGLEBIGES GEHÄUSE: Die 6K/4K Kamera verfügt über ein hochwertiges Gehäuse aus einer Magnesiumlegierung sowie eine spritzwasser- und staubfeste Konstruktion.
SSD-AUFNAHME & -WIEDERGABE: Diese Videokamera unterstützt die Aufnahme und Wiedergabe mit einer externen SSD über USB und die Möglichkeit, ProRes 422 HQ und 4:2:2 10-Bit All-Intra direkt auf SSDs aufzuzeichnen.
I use the Blackmagic Video Assist 5" 12G HDR monitor and recorder as an upgrade to my Panasonic full-frame camera DC-S1, in which the DMW-SFU2 Lumix S1
Filmmaker V-Log Upgrade is already installed. It is now possible to record with the DC-S1 Camera via HDMI directly to the Blackmagic Video Assist and record there in Blackmagic-RAW Codex in 12
bit.
Device properties:
• Convenient for live production, digital signage and archiving
• Modern design with touchscreen controls for fast operation
• Enhances cameras with better monitoring and codecs for recording
• Large LC displays for focusing aids on digital film level
• Support for SD/USH-II cards for common storage media
• Records directly to external USB-C drives
• 12G-SDI and HDMI for SD, HD and Ultra HD recording
• Advanced bright 2500 nit LCD with wide color gamut and HDR support
• Integrated videoscopes with waveform, vectorscope, parade and histogram
• Latest multi-rate 12G-SDI technology for SD, HD and Ultra HD
• 3D LUTs applicable to monitoring and recording
• Standard open standard formats compatible with popular software
• Blackmagic RAW recording on supported 3rd party cameras
• Support for professional multi-channel digital and analog audio
• Localized in 11 major languages
• Compatible with popular NLE software such as DaVinci Resolve
The support for RAW video output via HDMI using Blackmagic Video Assist 12G HDR. A 16:9 signal in 12 bits with 29.97p, 25p and 23.98p can be recorded in 6.0K. In APS-C there are options for 4.1 K in 17:9 with 59.94p/50p/29.97p/25p/23.98p as well as anamorphic APS-C in 3.5K with 50p/29.97p/25p/23.98p in 4 :3 with 12 bits each. The Lumix S5IIx gets the same function. It will output Blackmagic RAW and PProPes RAW via HDMI .
Blackmagic Assist 12G HDR enables professional monitoring and recording with any SDI or HDMI camera in all HD, Ultra HD, 2K and 4K DCI formats. The new streamlined design includes
innovations like brighter screens for HDR work, a tally indicator, four built-in scopes, advanced focus assist features, 3D LUTs and native Blackmagic RAW recording with compatible cameras.
The 12G-SDI and HDMI 2.0 connections built into both the 5" and 7" models support recording from literally any device in formats up to 2160p60. A brighter touchscreen ensures a clear view
of HDR digital film recordings and shows the subjects clearly even when shooting outdoors in bright sunlight. The new design allows the use of more powerful batteries and supports two
commercially available Sony L-series batteries. The remarkably versatile Blackmagic Video Assist 12G is the perfect solution for next-generation digital cinema shooting, live production
mastering, and broadcast testing and measurement.
Blackmagic Video Assist 12G HDR is a great upgrade for cameras with a super bright 2500 nit display that's also larger than the tiny displays found on consumer cameras. It also offers
professional focus assist features and higher quality file formats . It's also a great solution for professional cameras, as an upgrade for older broadcast cameras, it allows the use of
modern file formats for the latest editing software. No matter what editing software you're working with, Video Assist supports them all with the codec option for recording to Apple ProRes,
Avid DNx and Blackmagic RAW. It can be connected to any consumer camera, broadcast camera or even DSLR camera via the HDMI and 12G-SDI inputs. Blackmagic RAW can even be upgraded to
RAW-like workflows on compatible cameras.
The Video Assist uses standard commercially available SD cards and enables recording on memory cards that are available everywhere. Files are small enough to store long recordings on
regular SD or faster UHS-II cards. The larger 7-inch Video Assist 12G model even has two SD card slots. This means that full cards can be exchanged while recording is in progress,
making recordings possible over endless periods of time. Regular SD cards or faster UHS-II cards are ideal for broadcast because of their compactness, high speed and low cost.
For recording to other types of media, there's a USB-C expansion port for plugging in external USB memory sticks. A Blackmagic MultiDock 10G can also be integrated with recorders such
as the Blackmagic HyperDeck models for convenient SSD compatibility. And the touchscreen even offers on-screen menus for managing external storage media.
The Video Assist is equipped with a wide range of video and audio connections. They include multi-rate 12G-SDI connections for SD, HD and Ultra HD devices. HDMI connections are
also available for HDMI cameras and for monitoring on televisions and projectors in the consumer segment. The seven-incher also features mini XLR inputs for incoming sound from microphones
and external audio mixers. The Video Assist also comes with a lockable 12V DC power connector.
Video Assist also supports industry standard 17 and 33 point 3D LUTs. Alternatively, you can also work with the integrated LUTs such as "Extended Video", "Film to Video", "Film to
Rec.2020" and others.
Video Assist records in regular open file formats, so no time is wasted transcoding media. You can record industry-standard ProRes or DNx in all formats in 10-bit files from any HDMI or SDI
camera, or Blackmagic RAW footage in 12-bit files from compatible cameras. The media files are platform independent.
Blackmagic RAW is a revolutionary new format designed to capture and preserve the quality of data from the camera sensor. Video Assist supports Blackmagic RAW recording from popular cameras
such as the Panasonic EVA1 and Canon C300 MK II. Problems such as noise and artifacts with common highly compressed camera formats such as H.264 are a thing of the past. The camera settings
are saved as metadata. This allows users to set the ISO setting, white balance and exposure and then simply override them later in the edit without any loss of quality. In addition,
Blackmagic RAW files are small, fast and easy to work with.
The professional audio recorder built into Blackmagic Video Assist 12G delivers sound quality superior to most cameras. This eliminates the need to carry additional audio equipment.
When working with SDI formats, users can record audio over 2, 4, 8 or 16 channels in real time. For connecting microphones, the 7-inch model has two XLR inputs for analog audio with phantom
power. These support an HD audio sample rate of 192 kHz at uncompressed 16 and 24 bits per sample. For monitoring, users can display the onscreen audio level meters as either VU or
PPM meters.
My Digital Poket Camera without quality Compromisses
Panasonic Lumix DC-TZ90 digital camera, my constant companion.
My experience with the Panasonic Lumix DC-TZ90
30x Travel Zoom Camera with 4k video & 180 degree Tilt LCD. Take this pocket-sized camera on your next trip. Its powerful 30x zoom lens and 4K Photo selfie feature let you save your travel memories in exactly the form you want.Your convenient travel companion This pocket-sized camera captures all the breathtaking emotions of your travels, from sweeping panoramas to the distant sun rise. The LUMIX TZ90 catches both photos and videos in all the vivid colours and crisp details that you recall. Flexibility with the 30x LEICA DC Lens The LUMIX TZ90 brings you right up against the action. The 24mm LEICA DC VARIO-ELMAR lens has a 30x optical zoom (35mm camera equivalent: 24-720mm) so you will always have an intimate view, and captured picture, of what piques your interest. Sharp Details Rendered in 20.3MP Resolution The 20.3-megapixel High Sensitivity MOS sensor records high-quality images in remarkable detail. It also combines with the Venus Engine to take stunning pictures even in dimly lit environments with minimal image noise. 4K Video. Life in Vivid Detail With the stunning power of 4K video, the LUMIX TZ90 allows you to record your journey in up to 3840 x 2160 pixel - 4x the quality of Full HD. More excitement, more detail and even more memories to look back on; again and again. *When recording videos in 4K, use a card rated as UHS Speed Class 3. Take a Selfie in 4K Photo Get the perfect selfie with a 180-degree tiltable monitor. Whether its a group selfie, a party moment or your dog who just does not want to stay still, you can capture life in stunning 4K quality. LUMIX 4K PHOTO lets you catch the best moment at 30-fps and save it as an 8-megapixel equivalent high-resolution image. See It All with High-precision Electronic Viewfinder Sometimes, harsh sunlight makes even the brightest camera screens difficult to see. The LUMIX TZ90 features a 0.2-inch 1,166k-dot Electronic Viewfinder which automatically turns on when you lift the camera to you...